Cristina Morales is a London-based Spanish cultural activist, known for her interdisciplinary blend of socially engaged curatorship, writing and art. With a background in socio-cultural anthropology and a creative and holistic approach to activism, Cristina is the founding curator of the first decolonial thinktank mapping Cultural Activism worldwide, Counterspace. She is the founding artist of the Situationist brand of political designs and performances Totem Taboo. And she writes periodically in English, French and Spanish on Decoloniality, on human and community development through art, and on African and African diaspora arts & culture, published by national, international and specialised media such as the London Institute of Contemporary Arts (London); El Mundo (Madrid); Humanities, Arts & Society (Paris); A Beautiful Resistance (Seattle); Inhabit (Paris); Ouvrage (Montreal); Wiriko (Barcelona); and Radio Africa (Barcelona).

Long bio.


Counterspace | 2019 – Present, London. Counterspace is the first decolonial thinktank mapping Cultural Activism worldwide. Counterspace Unlearning Toolkit offers online and offline resources and experiences to unpack so far consisting of online and printed Decolonial Publications, a Decolonial Library, Decolonial Labs, and Forum Talks. And Counterspace Relearning Toolkit offers online and offline resources and experiences to reconnect holistically so far consisting of a Radical Imagination Library, a Mutation School, a Mutants Podcast, and a Cultural Activism Global Network browsable by continent, praxis and social construct. A Beuys-inspired ‘Social Sculpture’ directory which by connecting the dots, links the experiences and culture shakers (artists, curators or both) creatively decolonising culture, inspiring others to join the collective machinery towards change.

Founding Curator | Researcher. Curator. Editor. Author. Speaker. Lab facilitator. Podcaster. Communication. Key achievements: Founding curator of the first decolonial thinktank mapping Cultural Activism worldwide. Founding curator of the first Decolonial Lab. Founding curator of the first holistic Mutation School (upcoming). Published by Humanities, Arts and Society + Memory of the Future (Paris); London Institute of Contemporary Arts (London); A Beautiful Resistance (Seattle); Ouvrage (Montreal); and Inhabit (Paris). Partnered up with Actipedia + Center for Artistic Activism (New York), Social Art Network (UK), -Ism (London), Publib (UK) and Antiuniversity Now (London). Community organising fostering Social Practice Art global networks, and unity bridging neocolonial and hierarchical gaps, as a key collective liberation factor in a – still dividing – identity politics activism scene.

-Ism | 2020- Present, London. -Ism is a global network of trans-disciplinary, ancient wisdom, ecological knowledge, algorithmic, quantum, consciousness and legacy building humans. Rooted in its manifesto ‘Cyborg Shamanism’, this platform believes that ancient wisdom with new thinking leads to futurist innovations. Under its umbrella, decentralised pattern recognition, problem-solving and experiences to begin again.

Fellow Member | Co-creation of publications.

Haringey Arts | 2016-2017, London. Haringey Arts is a community interest company developing the North London living/working converted warehouses district of Haringey connecting the creative talent in the area through events, workshops and collaborations creating profile.

Assistant Curator | Curation of commissioned artwork for warehouse related projects. Social Media Manager of ‘Tottenham Creative Warehouse District’. HA website updates & newsletters. Art programme curation for London primary schools with HA artists. Key achievements: Groundbreaking neighbourhood-based platform for gentrification-displaced artists, contexts of care/ dissent/ liberation and intentional intersection spaces for community development.

Black Cultural Archives | 2015, London. BCA is the first national Black Culture heritage public institution in the UK. Its mission is to collect, preserve, and celebrate Black Culture in Britain.

Relationship & Development Assistant | Digital Marketing. Key achievement: Revealing hidden histories of Britain’s Black heritage focusing on social and political issues through art.

Peckham Platform | 2015, London. Peckham Platform is a social art gallery connecting people, art and place in the South London neighbourhood of Peckham believing that communities can inform and shape their engagement with their locality by working with contemporary visual artists bringing meaningful contemporary Social Practice alive influencing policy making in the area and beyond.

Gallery Assistant | Assisting ‘Twelve’ exhibition by Melanie Manchot, ‘Cuming: a Natural Selection’ exhibition by Janetka Platun and ‘Doing Nothing is Not an Option: in Memory of Nigerian Writer and Activist Ken Saro-Wiwa’ exhibition by Michael McMillan. Key achievement: Fostering Social Practice Art in disenfranchised and gentrificated Peckham neighbourhood.


Interarts | 2014, Barcelona. Interarts is a private agency which specialises in human development through culture via cultural policies and cultural cooperation.

Project Assistant – Content Curator | Curator of Fomecc – Creative Industries Networking Platform in Spain, South America and West Africa, researching and selecting content, community build-up and follow-up. Key achievement: Community organising fostering creative industries international networks.

Ribermusica |  2007-2009, Barcelona. Ribermusica is a nonprofit organisation with a long trajectory working on social art using music as a tool for cohesion in Barcelona’s neighbourhood La Ribera through several community-based projects. Among them, Ribermusica Festival which brings music performances into unusual places.

Assistant Curator | Booking of 20 unusual venues (shops, libraries, barbershops, bakeries, parks, restaurants, hotels …) for editions 2007, 2008 and 2009. Key achievements: Hosting horizontal music performances, creating contexts of care/ dissent / liberation and intentional intersection spaces for community gathering / development.

HostelArt | 2005-2013, Barcelona. HostelArt was a groundbreaking platform in the independent backpackers hostel sector creating an alternative room for arts & culture by developing a nonprofit project where artists, travellers + city audience and hostels, benefited from a free monthly cultural programme. And where artists benefited from international art residencies in other European independent backpackers hostels.

Founding Curator |  Production, organisation, administration and communication of ninety-six art exhibitions, four hundred concerts, four hundred Dj sessions, four hundred screenings, two charity theme Festivals, a fashion catwalk, one hundred design markets, five outdoor live graffiti paintings, five big decoration projects and three international art residencies in other European independent backpackers hostels.  Key achievements: Democratising art, creating different art circuits, providing space for Barcelona’s multidisciplinary arts underground scene, facilitating international and local community gathering and intentional intersection contexts of dissent / liberation. Inspiring following independent backpackers hostels bringing arts & culture to their spaces worldwide.




Kiyoshi Awazu- Japan, 1971-1975.

Ouvrage | Ouvrage is a Canadian publication based in Montreal reviewing revolutionary and autonomous theoretical and practical reflections to resist inertia. This essay is with them published in French. Publication | ”The Great Pause’. A Decolonial Approach for Life Beyond Neoliberalism.’– June, 2020.

London Institute of Contemporary Arts | ICA is a London-based institution supporting radical arts & culture. This essay is featured in ICA Daily permanent archive of recommended reading, viewing and listening from the ICA‘s curatorial team. Publication | ”The Great Pause’. A Decolonial Approach for Life Beyond Neoliberalism.’– May, 2020.

Inhabit | Inhabit is a French publication providing tools for freedom in French and English. This Pandemic Trilogy was selected by Inhabit as one of the best readings of the entire pandemic along with authors such as Naomi Klein, David Abram and Giorgio Agamben among others and featured in English in their permanent archive Territories. Publications | ”The Great Pause’. A Decolonial Approach for Life Beyond Neoliberalism.’– May, 2020. On Crisis and Meaning. And the Liminal Revolution in-Between.’– May, 2020. A Power-exposing Microbe Called Crown.’ – March, 2020. 

A Beautiful Resistance | A Beautiful Resistance is an American anti-capitalist and pagan organisation running Gods & Radicals Press. Publications | ‘The Great Pause’. A Decolonial Approach for Life Beyond Neoliberalism.’ – May, 2020. On Crisis and Meaning. And the Liminal Revolution in-Between.’ – May, 2020.


Subversive forms of Social Sculpture by Joseph Beuys- Germany, 1973.

Humanities, Arts & Society  + Memory of the Future | HAS is a Paris-based organisation by UNESCO-MOST, International Council for Philosophy and Human Sciences, Global Chinese Arts and Culture Society and Memory of the Future, which mission is to create a worldwide movement of artists and thinkers demonstrating what is the role and impact of arts on society and universal issues. This essay is published in English and French in a joint project called Open Windows. Publication | The Common Thread: Art as Counterspace.’– April, 2020.

El Mundo | Voces is a Spanish foundation with a blog in the Spanish national press El Mundo advocating for human and social development through disruptive arts & culture. Publication | Intercultural Dialogues through Art.’ – March, 2014.


Gregory Isaacs at African Museum by Beth Lesser – Jamaica, 1983.

Radio Africa Magazine  | Spanish cultural container dedicated to contemporary African arts & culture. Publication | ‘Bronx : Africa. The influence of African Culture in Bronx.’ – February, 2016.

Wiriko | Spanish magazine specialised in contemporary African arts & culture. Publications |  ‘From Roots Reggae to Dancehall in Jamaica.’ – January, 2016. Staying Power: Afro-British Self-Representation.’– April, 2015. Afro Comb: 6.000 Years of Culture, Politics and Identity.’ – October, 2013. African Echoes: On Cosmopolitan Identities and Trends.’– March, 2013.


Vintage Botanical Illustration

A Beautiful Resistance | A Beautiful Resistance is an American anti-capitalist and pagan organisation running Gods & Radicals Press. Publication |Mama’s Blues’-June, 2020.






‘Space is The Place’ by Totem Taboo, Paris 2018. Musician: Celia Wa. Photography: Damien Paillard.

Totem Taboo | 2012 – Present, International. Totem Taboo is a Situationist brand designing political scenes + scenic artifacts building new collective imaginaries through the visual narrative of the symbol.

Founding Artist | Designer. Maker. Producer. Stylist. Art Director. Communication. Key achievements: First brand of contemporary ethnic / African fashion in Spain since 2012. First Spanish brand present in the most outstanding contemporary ethnic art & design shows in Europe such as Labo International Paris, 2012; Ethno Tendance Brussels, 2012 ; Afropunk Paris, 2016 or Africa Utopia London, 2017 to mention a few. First contemporary ethnic / African fashion brand dressing the contemporary free jazz scene with a Sun Ra’s inspired collection. First contemporary ethnic / African fashion brand creating Debord-inspired performative ‘Situations’. Stocked at biggest museum of anthropology in Europe –Quai Branly Museum‘s boutique in Paris, and the biggest African fashion hub in London, Soboye . Part of the  itinerant scenic fashion collective exhibition Parures organised by conscious fashion organisation Universal Love exhibited to date at Klimafestivalen in Oslo – Norway, 2018.

Mischief Makers at Brighton Pride featured in The Observer by The Guardian and BBC News, UK 2018.

Mischief Makers Carnival Arts | 2016 – 2018, London / UK. Mischief Makers is led by  freelance independent Carnival artist Emma Garofalo specialised in large scale kinetic costumes / puppetry & performance for community development projects all over United Kingdom.

Freelance Costume Assistant & Performer | Costume assistant for Northampton Carnival -London, 2018.  Performer for Brighton Pride Parade – Brighton, 2018.   ‘Anima Mundi’ Costume assistant for Luton International Carnival (EMCCAN Caribbean Carnival Queen first prize winner) – London, 2017 and Extinction Rebellion – London, 2019. Workshop assistant for Kew Gardens  – London, 2017. Costume assistant & performer for ‘Metamorphosis’ at Wandsworth Arts Fringe – London, 2017; Kew Gardens – London, 2017 and Camp Bestival  – Dorset, 2016. Key achievements: Fostering /embodying human rights themed participatory arts and politics of public space.

Mahogany Carnival Arts  | 2016, London. Mahogany is a group of multi-disciplinary artists led by Clary Salandy and Speedy Ramdeen – trained originally with Peter Minshall – who design and create Carnival large scale kinetic sculptures using the human body in the art form of ‘Mas Making’, Masquerade or Street Theatre having been instrumental in introducing such art across the UK and also being a seminal force in educating European communities in the development of Carnival as a catalyst for bringing together people from culturally diverse backgrounds.

Freelance Costume Assistant & Performer | Costume assistant and performer for Lord Kitchener-inspired ‘London is The Place for Me’ collection for the 50th Anniversary of Notting Hill Carnival, winner of first prize and getting a Mahogany’s costume featured in page 29th of current British passport. Key achievements:  Fostering /embodying human rights themed participatory arts and politics of public space.



Situation Num I: Totem Taboo takes France’s Nation Square, Paris 2017. Photography: Fransi Nieto.

Selva | 2015-2016, London. Performer for Trans-form fundraiser (first Carnival in India) at The Bussey Building – London, 2016. And Latin culture promoter Movimientos ‘s 10th anniversary at Rich Mix – London, 2015.

Our Brixton | 2015, London. Performer for dancing occupation of Tesco supermarket on Brixton Hill, former community music venue.

Brixton I love I care | 2014, London.  Performer for Brixton’s traffic lights customisation during gentrification.

Projecta | 2011-2013, Barcelona. Performer for ‘Paint your Face’ during Spanish Occupy 15-M / Anti-austerity Movement and ‘Tube Anti-Xmas Musical‘.

Walking Gallery | 2012, Barcelona. Performer for Barcelona’s Walking Gallery.



University State Academy of Fine Arts | 2021, Stuttgart. The practical Master ‘Body, Theory and Poetics of the Performative’ in the University of Fine Arts of Stuttgart is the first of its kind in Germany. Students work on the politics of the body, theory and poetics of the performative as different dimensions of the same field to question and explore the limits and possibilities of social power and resistance formulating technical, theoretical and organisational aspects of their practice through collective critical work. I was invited to offer a workshop within the programme imbricating dance and writing.

Guest Lecturer | Tittle to be confirmed