Cristina Morales is a cultural activist  – a transdisciplinary cultural practitioner working internationally as a critical researcher, cultural producer / curator, writer, educator and artist at the intersection of art and politics for self and community development. A singular cultural strategist  linking decolonial theory and the full spectrum of human sciences with social practice art. She holds a Master of Cultural Production from the Open University of Catalonia, and a Bachelor of Sociocultural Anthropology from the University of Barcelona, Spain.

Cristina is currently cultural producer of Jazztrònica (Barcelona), the first and only festival in Spain fostering international avant-garde jazz. She is the founding curator of Counterspace, the first decolonial thinktank mapping cultural activism worldwide, and the founding artist of Totem Taboo designing politically-engaged scenic artefacts (international). She is a freelance writer on decoloniality, cultural activism, and African/ African diaspora arts & culture published by international media such as the Institute of Contemporary Arts (London); El Mundo (Madrid); Humanities, Arts & Society (Paris); A Beautiful Resistance (Seattle); Inhabit (Global); Ouvrage (Montreal); and Radio Africa (Barcelona). And she is occasionally a guest speaker for organisations such as the Social Art Network (UK), and guest lecturer for universities such as ABK Stuttgart State Academy of Art & Design (Germany).

Full Bio


Yasiin Bey aka Mos Def opening the first edition of Jazztrònica at the National Theater of Catalonia – Barcelona, 2021. Photography by Agustina Arán.

Jazztrònica | 2022-Present – Barcelona, Spain. Jazztrònica is the first and only festival in Spain fostering international avant-garde jazz. Since 2021, it is strongly positioning itself as a hub for exquisite non-mainstream and highly political music lovers bridging nu-jazz with conscious hip hop, soul, reggae and other related genres on a national and international level. The festival showcases emerging as well as legendary artists such as Roy Ayers, Slum Village and Channel One among others, but it also curates jazz talks, street art and solidarity spaces as well as gastronomic, independent record labels, collectors record & book shops markets. Jazztrònica is produced by 80 Voltes Produccions which also runs the 80 Voltes collectors record shop.

Cultural Producer / Curator | Cultural production. Curator of Jazz Talks and the social/activist axis of the festival via several proposals taking place throughout the year. Mission: Foster the politics of jazz in Spain as well as the introduction of deconstructing practices such as the ones deriving from free jazz. Support, connect and develop the best local and international Afrodescendant music and musicians as well as its independent industry. Use jazz, related genres and socially engaged art at large as a tool to push the local decolonial conversation forward with the rest of cultural institutions, organisations, media, scholars, curators, artists and people. Foster diversity and meaningful accessible experiences while changing the Catalan and Spanish cultural landscape. Put Barcelona on the map of international avant-garde jazz hubs in the world.

Counterspace's cultural strategy by Cristina Morales
Counterspace cultural strategy by Cristina Morales – London, 2021.

Counterspace | 2019 – Present, International.  Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide, as well as proposing decolonial toolkits to unlearn and relearn.  Counterspace’s unlearning toolkit proposes common resources and experiences to unpack and redefine so far consisting of decolonial publications, a decolonial library, decolonial labs and forum talks. And Counterspace’s relearning toolkit proposes common resources and experiences to reconnect holistically so far consisting of a radical imagination library,  a mutation school,  a mutants podcast, and a cultural activism global directory browsable by continent, praxis and social construct. A Beuys-inspired ‘social sculpture/organism’ network which by connecting the dots, links the experiences and culture shakers creatively decolonising culture, while inspiring others to join the collective machinery towards change. 

Founding Curator / Cultural Producer  | Researcher. Curator. Editor. Author. Speaker. Decolonial Labs Facilitator / Critical Pedagogue. Communication. Fundraiser. Key achievements: Founding curator of the first decolonial thinktank mapping cultural activism worldwide. Founding curator of the first Decolonial Lab. Community organising fostering the first social practice art global network, and unity bridging neocolonial and hierarchical gaps, as a key collective liberation factor in a – still dividing – identity politics activism scene. Winning an art residency at Design Science Studio by Buckminster Fuller Institute (San Francisco) as part of a global cohort of what they called ‘120 revolutionaries through art’ in 2021.

Onyx debut publication designed by Design Kind – UK, 2022.

Disability Arts Online | 2021- 2022, UK / International. Disability Arts Online is a UK-based non-profit organisation occupying a unique global position championing the development of the disability arts movement from an intersectional differently-abled-led position. The Onyx Pilot Project established a UK-wide interseccional artist-led collective. Articulating their own leadership, they were commissioned to create a debut publication culminating in a launch event at Autograph ABP in London, supported by media such as Primary and Gal-dem. The publication is stocked in art galleries, radical bookshops and cultural organisations across London and the UK. Onyx Collective members were also employed as freelance publication editors, as well as freelance artists mentors to deliver artist development webinars and one-on-one sessions. And the Onyx Collective also delivered, and commissioned other artists to deliver, accessible artist presentations for a global audience.

Project Manager | Onyx project co-planning with artists, administration, financial monitoring and evaluation reports in collaboration with the CEO. Coordination, co-facilitation and minuting of online and live artist collective meetings. Communication and coordination of artist collective, core team, finance, marketing, and partners. Project managing the completion, edition, design and delivery of the collective debut publication sticking to timeline and budget. Production of the collective launch event sticking to timeline and budget in collaboration with the artists and DAO. Research of mentors and partnerships. Recruitment of external facilitators, editors, and mentors for artist development sessions in liaison with the CEO. Partial co-planning of artist presentations. Artists support in collaboration with DAO. Key achievements: Facilitating the foundation and launching of a UK-wide intersectional artist-led collective. Fostering intersectional diversity in the ‘disability arts’ sector.

South Tottenham warehouse district open doors day – London, 2016.

Haringey Arts | 2016-2017 – London, UK. Haringey Arts was a community interest company developing the converted (living/working) creative warehouses district of Haringey in North London, connecting the creative talent in the area through events, workshops and collaborations creating profile.

Assistant Curator / Cultural Producer | Assisting the curation of commissioned artwork for warehouse-related projects. Social media manager of Tottenham Creative Warehouse District. HA website updates & newsletters. Art programme production for Haringey primary schools with HA artists. Key achievements: Neighbourhood-based platform for displaced-by-gentrification artists and neighbours, creating contexts of care / dissent / liberation as well as intentional intersection spaces for community development.

‘We are One’ fundraising campaign at BCA – Brixton, London, 2017.

Black Cultural Archives | 2015 – London, UK. BCA is the first public institution collecting, preserving, and celebrating the histories and culture of people of African and Afro-Caribbean descent in the UK.

Relationship & Development Assistant | Assisting the relationship & development department focused on communication and digital marketing. Key achievement: Revealing hidden history based on social and political topics through art.

Peckham Platform | 2015 – London, UK. Peckham Platform is a social art gallery in South London connecting people, art, and place, believing that communities can inform and shape their engagement with their locality by working with contemporary visual artists bringing meaningful contemporary social practice alive, influencing policy making in the area and beyond.

Social Art Gallery Assistant | Assisting ‘Twelve’ exhibition by Melanie Manchot, ‘Cuming: a Natural Selection’ exhibition by Janetka Platun and ‘Doing Nothing is Not an Option: in Memory of Nigerian Writer and Activist Ken Saro-Wiwa’ exhibition by Michael McMillan.  Key achievement: Fostering social practice art in the disenfranchised and gentrified Peckham neighbourhood.

foto interarts

Interarts | 2014 – Barcelona, Spain / International. Interarts is a private agency which specialises in human development through culture via cultural policies and cultural cooperation.

Project Assistant  / Content Curator | Curator of Fomecc – Creative Industries Networking Platform in Spain, South America and West Africa. Research, content curation, community building and follow-up. Key achievement: Community organising fostering tricontinental creative industries networks.

Ribermúsica Festival- Barcelona, 2009.

Ribermusica |  2007-2009 – Barcelona, Spain. Ribermusica is a private foundation with a long trajectory working on social art using music as a tool for cohesion, in Barcelona’s neighbourhood La Ribera, through several community-based projects. Among them, Ribermusica Festival which brings music performances into unusual places.

Cultural Producer | Liaison and booking of unusual concert venues (shops, libraries, barbershops, parks, restaurants, hotels …) for Ribermusica Festival’s editions 2007, 2008 and 2009. Key achievements: Democratising art creating different art circuits and horizontal performances. Creating contexts of care / dissent / liberation as well as intentional intersection spaces for community development.

Haiti Fundraising Festival at Centric Point – Barcelona, 2010.

HostelArt | 2005-2013 – Barcelona, Spain / International. HostelArt was a groundbreaking platform creating an alternative room for arts & culture within the independent backpackers hostel sector by developing a non-profit project where Barcelona’s artists,  Barcelona’s audience, and Equity Point hostels/travellers, benefited from a free monthly cultural programme including international art residencies.

Founding Cultural Producer / Project Manager |  Production, programming, organisation, administration and communication of ninety-six art exhibitions, four hundred concerts, four hundred Dj sessions, four hundred screenings, two fundraising festivals, a fashion catwalk, one hundred design markets, five outdoor live graffiti paintings, five big hostel decoration projects and three international art residencies in other European independent backpackers hostels.  Key achievements: Democratising art creating different art circuits, providing space for Barcelona’s multidisciplinary underground arts scene. Creating contexts of care / dissent / liberation as well as intentional intersection spaces for community development. Inspiring following independent backpacker hostels to bring arts & culture to their spaces worldwide.

Featured image: Fluxus Manifesto, 1963.




Kiyoshi Awazu’s Japanese Avant-Garde – Japan, 1971-1975.

Ouvrage | Montreal, Canada. Ouvrage is a Canadian publication reviewing revolutionary and autonomous theoretical and practical reflections to resist inertia. This essay is with them published in French, translated by Etienne Simard and edited by Stephanie Logrado. Publication | ”The Great Pause’: A Decolonial Approach for Life Beyond Neoliberalism.’– June, 2020.

London Institute of Contemporary Arts | London, UK. ICA is a London-based institution supporting radical contemporary arts & culture. This essay is featured in ICA Daily permanent archive of recommended reading, viewing and listening from the ICA‘s curatorial team, and edited by Claudia Loughran. Publication | ”The Great Pause’: A Decolonial Approach for Life Beyond Neoliberalism.’– May, 2020.

Inhabit | Global. Inhabit is a publication providing tools for freedom. The collection of essays ‘ Pandemic Trilogy’ was selected by Inhabit as one of the best readings of the entire pandemic among authors such as Naomi Klein, featured in English in their permanent archive Territories, and edited by Claudia Loughran. Publications | ”The Great Pause’: A Decolonial Approach for Life Beyond Neoliberalism.’– May, 2020. On Crisis and Meaning, and the Liminal Revolution in-Between.’– May, 2020. A Power-exposing Microbe Called Crown.’ – March, 2020. 

A Beautiful Resistance | Seattle, USA. A Beautiful Resistance is an American anti-capitalist and pagan organisation running Gods & Radicals Press. These essays were published in English and edited by Claudia Loughran and Mirna Wabi-Sabi. Publications | ‘The Great Pause’: A Decolonial Approach for Life Beyond Neoliberalism.’ – May, 2020. On Crisis and Meaning, and the Liminal Revolution in-Between.’ – May, 2020.


Subversive forms of Social Sculpture by Joseph Beuys- Germany, 1973.

Humanities, Arts & Society  + Memory of the Future | Paris, France. HAS is a French organisation by UNESCO-MOST, International Council for Philosophy and Human Sciences, Global Chinese Arts and Culture Society and Memory of the Future, which mission is to create a worldwide movement of artists and thinkers demonstrating what is the role and impact of arts on society and universal issues. This essay is published in English and French in a joint project called Open Windows, edited by Claudia Loughran and Jordi Miranda. Publication | The Common Thread: Art as Counterspace.’– April, 2020.

El Mundo | Madrid, Spain. Voces is a Spanish foundation with a blog in the Spanish national press El Mundo advocating for human and social development through disruptive arts & culture. This article was published in Spanish and edited by Cristina Alvarez de Mon. Publication | Intercultural Dialogues through Art.’ – March, 2014.


Gregory Isaacs at African Museum by Beth Lesser – Jamaica, 1983.

Radio Africa Magazine  | Barcelona, Spain. Radio Africa is a Spanish cultural container dedicated to contemporary African/African diaspora arts & culture. This article was published in Spanish and edited by Clara Nuñez. Publication | ‘Bronx : Africa. The influence of African Culture in The Bronx.’ – February, 2016.

Wiriko | Barcelona, Spain. Wiriko is the first Spanish magazine specialised in contemporary African/African diaspora arts & culture. These articles were published in Spanish and edited by Vanessa Anaya. Publications |  ‘From Roots Reggae to Dancehall in Jamaica.’ – January, 2016. Staying Power: Afro-British Self-Representation.’– April, 2015. Afro Comb: 6.000 Years of Culture, Politics and Identity.’ – October, 2013. Echoes of Africa: On Cosmopolitan Identities and Trends.’– March, 2013.


Vintage Botanical Illustration

A Beautiful Resistance | Seattle, USA. A Beautiful Resistance is an American anti-capitalist and pagan organisation running Gods & Radicals Press. This poem was published in English and edited by Mike Dockins. Publication |Mama’s Blues’-June, 2020.

Featured image: Dadalenin by Rainer Ganahl, 2003.



‘Space Age’ preview by Totem Taboo – Paris, 2017. Musician: Celia Wa. Photography by Damien Paillard. Design, styling and art direction by Cristina Morales.

Totem Taboo | 2012 – Present, International. Totem Taboo designs politically-engaged scenic artefacts + scenes building new collective imaginaries through the visual narrative of the symbol.

Founding Artist & Producer | Designer. Maker. Producer. Stylist. Art Director. Communication & Sales. Key achievements:  First ‘brand’ designing militant fashion in Spain since 2012, portrayed in Barcelona’s street art by SM172. First Spanish ‘brand’ present in top emerging contemporary ethnic art & design shows in Europe such as Labo Ethnik – Paris, 2012; Ethno Tendance – Brussels, 2012 ; Afropunk – Paris, 2016 or Africa Utopia – London, 2017 to mention a few. First militant fashion ‘brand’ dressing the contemporary avant-garde jazz scene with a Sun Ra-inspired collection, with the likes of Zap Mama and Sun Ra Arkestra. Totem Taboo is stocked at the biggest museum of anthropology in Europe, Quai Branly Museum boutique in Paris, and Soboye, the biggest African fashion hub in London. Totem Taboo was part of the collective scenic fashion exhibition ‘Parures’, organised by Paris-based conscious fashion organisation Universal Love, exhibited at Klimafestivalen in collaboration with Fashion Revolution in Oslo – Norway, 2018.

Mischief Makers at Brighton Pride Parade featured in The Observer by The Guardian and BBC News -UK, 2018.

Mischief Makers Carnival Arts | 2016 – 2018, UK. Mischief Makers is an independent carnival initiative led by freelance carnival artist Emma Garofalo, specialised in large scale kinetic costumes / puppetry & performance for community development projects all over the United Kingdom.

Costume Assistant & Performer | ‘Metamorphosis’ costume assistant for Northampton Carnival -London, 2018.  ‘Metamorphosis’ costume assistant and performer for Brighton Pride Parade – Brighton, 2018.   ‘Anima Mundi’ costume assistant for Luton International Carnival – London, 2017 and Extinction Rebellion – London, 2019. Workshop assistant for Kew Gardens  – London, 2017. ‘Metamorphosis’ costume assistant & performer for Wandsworth Arts Fringe – London, 2017; Kew Gardens – London, 2017 and Camp Bestival  – Dorset, 2016. Key achievements: Anima Mundi costume was winner of EMCCAN Caribbean Carnival Queen first prize (2017) and leader of Extinction Rebellion’s parade in Hackney, London (2019). Fostering /embodying human and nature rights themed participatory arts and politics of public space.

Mahogany Carnival Arts  | 2016 – London, UK. Mahogany is a carnival group of multi-disciplinary artists led by Salandy and Speedy Ramdeen from Trinidad and Tobago, where they trained with award-wining carnival artist Peter Minshall. They design and create carnival large scale kinetic sculptures/carnival costumes using the human body in the art form of ‘Mas making’, masquerade or street theatre, having been instrumental in introducing such art across the UK and also being a seminal force in educating European communities in the development of carnival as a catalyst for bringing together people from culturally diverse backgrounds.

Costume Assistant & Performer | Costume assistant and performer for Lord Kitchener-inspired collection ‘London is The Place for Me’  for the 50th Anniversary of Notting Hill Carnival. Key achievements: Mahogany was winner of the 50th Notting Hill Carnival first prize in its category. A Mahogany costume is featured on page 29 of current British passport. Fostering /embodying human rights themed participatory arts and politics of public space.

Featured image: Astro Black by Totem Taboo. Photography by Damien Paillard. Model Christelle Duverly. Design, styling and art direction by Cristina Morales.



ABK University of Art and Design | 2022 – Stuttgart, Germany. The State Academy of Art and Design (ABK Stuttgart) is the University of Fine Arts in Stuttgart. The Master ‘Body, Theory and Poetics of The Performative’ is the first of its kind in Germany and allow students to work on the politics of the body, theory and poetics of the performative as different but inseparable dimensions of the same praxis. An approach allowing to explore the possibilities and question the limits of social power formulating theoretical, technical and organisational aspects of their practice through collective forms of critical work. The Master is co-directed by Cristina Gómez Barrio and Wolfgang Mayer since 2018, co-founders of Discoteca Flaming Star, an interdisciplinary and collaborative art group using performance as response to social and political events.

Guest Lecturer | Guest lecturer presenting career work linked to the Master BODY, THEORY AND POETICS OF THE PERFORMATIVE programme with the lecture ‘EMBODYING LIBERATION: TRAUMA, HEALING AND RITES OF PASSAGE THROUGH ART & CULTURE’. Organised by Cristina Gómez Barrio, Wolfgang Mayer, and Sabine Palm.

Ephemera | 2021 – International. Ephemera is an independent peer-reviewed open access online journal about theory and politics in organising composed of academics from all over the world. Countering the current hegemonisation of social theory, it operates at the margins of organisation studies continuously seeking to question what organisation studies is and what it can become. The journal is supported by individual donors and academic institutions, currently the University Library of Bern, Switzerland and the Department of Management, Politics and Philosophy at Copenhagen Business School, Denmark.

Guest Speaker | Guest speaker on CULTURAL ACTIVISM AS COUNTERPOWER within the panel ‘Arts Activism’ in the online conference ACTIVIST ORGANISING AND ORGANISING ACTIVISM: A POST-PANDEMIC WORLD IN THE MAKING organised by Yousra Rahmouni Elidrissi, Ozan Nadir Alakavuklar, Ekaterina Chertkovskaya and Christos Giotitsas.

Inca circular forum/amphitheatre-like ruin in Moray, Peru.

Decolonial Lab | 2020 – London, UK / International. The monthly Decolonial Lab online by Counterspace is the first non-hierarchical and international grassroots forum experience rooted in critical pedagogy holding space for decolonial theory, and most importantly, a collective exploration of the subject plus co-creation of a new paradigm as decolonial practice. That means that although the theoretical body is always similar, the roundtable conversation is always different, which gives the lab as much continuity, to deepen or broaden the holistic exploration, as desired. As Decolonial Lab is the first and only of its kind, where health and the expansion of both personal and community development is understood as a necessarily holistic and interdependent exercise on a physical, mental, emotional, spiritual, social and natural level. The experience is then catalysed connecting psychology, socio-cultural anthropology, politics, spirituality and natural sciences, with the aim of healing while building the new instead of focusing on fighting the old, minding the whole picture. And it is addressed to people from all walks of life and locations ready to build, through relational learning, new pools of alternative collective knowledge in circulation.

Founding Producer / Critical Pedagogue | Producer and hosting facilitator of a monthly and international DECOLONIAL LAB online for individuals. And producer and hosting facilitator of both live and online Decolonial Labs for groups, by Counterspace.

Primary | 2020 – Nottingham, UK / International. Primary is an artist-led contemporary visual arts organisation prioritising artistic research and participatory arts providing residencies and running a free public programme of learning and community events. Their approach to programme is to invest in artistic research and learning through participation and engagement delivering a platform for conversation and knowledge exchange which by employing a cycle of theory, practice, and reflection, creates collaborative relationships between artists, audiences, and the wider society.

Hosting Critical Pedagogue | Hosting facilitator of the online ‘DECOLONIAL LAB FOR CULTURAL ACTIVISTS‘ in the frame of Making Place exhibition and the monthly forum Social Practice Social,  curated by Rebecca Beinart.

Social Art Network | 2020 – London & Brighton, UK / International. Social Art Network is a British platform of artists committed to building agency via art and social practice. Unapologetically political and unreservedly radical in approach and practice, SAN believes that the only creative response to our current climate is radical politics as art, understanding politics not as governmental parties but as the social collection of people, where true meaningful change is generated. In art, this translates into emotional resonance with the state of our society and the crises that we collectively inhabit but it also translates into vision imagining new ways of living with one another, where creativity has always led the way in conceiving revolutionary routes. Created in 2017, SAN met early success launching the Social Art Summit 2018, a national review of social practice leading to the artist-led national network, and expanding dialogue and a pilot for the world’s first Social Art Biennial.

Co-Host / Guest Speaker | Guest speaker on decolonial thought and co-host of the decentralised and practice-led online event on ‘RADICAL IMAGINATION‘ along with social practice artists Sophie Hope, Fran Cottell, E-J Scott, R.M Sanchez-Camus and Ignacio Acosta, curated by Sally Labern from Social Art Network London.

Guest Speaker | Guest speaker in the online event ‘DECOLONISING CULTURE: UNLEARNING AND RELEARNING THROUGH CREATIVE PRACTICE‘ along with artist Sofia Yala, curated and hosted by Susuana Amoah from Socially Engaged Salon and Social Art Network Brighton.

Featured image: Oskar Hansen’s open form theory, 1959.